Nydia Negromonte (Lima, Peru, 1965, naturalized Brazilian) is a plastic artist. She has an undergraduate degree in Drawing from the School of Fine Arts of Federal University of Minas Gerais (UFMG), earned in 1989, and specialized in Printmaking in 1998 (“The graphic artworks nowadays: from printmaking to digital printing” \u2013 Faculty of Fine Arts, University of Barcelona, Spain).<\/p>\r\n\r\n\r\n\r\n
From 1999 to 2001, she was a resident artist in HANGAR Atelier (Barcelona, Spain), having participated in relevant fairs and shows, such as: ARCO \u2013 International Contemporary Art Fair, Madrid; “Dry Body” (“Corpo Seco”), Sicart Gallery, and \u201cUrbild,\u201d Antonio de Barnola Gallery, both in Barcelona.<\/p>\r\n\r\n\r\n\r\n
Since then, she has showcased her work in major solo and group exhibitions in institutions and galleries throughout Brazil, Venezuela, and Peru.<\/p>\r\n\r\n\r\n\r\n
Main solo exhibitions: 2018, \u201cNydia Negromonte. Lecci\u00f3n de Cosas (2004-2018),\u201d curators Andrea Elera and Jorge Villacorta, Sala Luis Mir\u00f3 Quesada Garland (Room), Lima, Peru; 2016, \u201cSilo,\u201d Galeria GTO (Gallery), SESC Palladium, Belo Horizonte, MG, Brazil; 2015, \u201cOcidente,\u201d Galeria Genesco Murta (Gallery), Pal\u00e1cio das Artes, Belo Horizonte, MG, Brazil; 2014, \u201cOcidente,\u201d Central Galeria de Arte (Gallery), S\u00e3o Paulo, SP, Brazil; 2011, \u201cCasa das Vitaminas,\u201d Parque Farroupilha (Park), Porto Alegre, RS, Brazil; 2010, \u201cJasmim do Cabo,\u201d Instituto Undi\u00f3 (Institute), Belo Horizonte, MG, Brazil; 2004, \u201cPulmo,\u201d Torre\u00e3o (Cultural Center), Porto Alegre, RS, Brazil; 2003, \u201cPoda,\u201d Centro Universit\u00e1rio Maria Antonia (University Center), S\u00e3o Paulo, SP, Brazil.<\/p>\r\n\r\n\r\n\r\n
Main group exhibitions: 2016, \u201cAs casas de Lili,\u201d Galeria GTO (Gallery), SESC Palladium, Belo Horizonte, MG, Brazil; 2015, \u201cHabit\u00e1culo,\u201d Cine Theatro Brasil (Cultural Center), Belo Horizonte, MG, Brazil; 2015, Pr\u00eamio Marcantonio Vila\u00e7a, CNI, Sesi, Senai, MAC USP (Awards), S\u00e3o Paulo, SP, Brazil; 2014, \u201cPunto de Quiebre,\u201d Beatriz Gil Galeria (Gallery), Caracas, Venezuela; 2010, \u201cCasa das Vitaminas,\u201d Museu de Arte da Pampulha (Museum), Belo Horizonte, MG, Brazil; 2006\/2005, \u201cIdentificador,\u201d Pa\u00e7o das Artes (Institution), S\u00e3o Paulo, SP, Brazil e Galeria de Arte da Cemig (Gallery), Belo Horizonte, MG, Brazil; 2002, \u201cMat\u00e9ria Prima,\u201d curators Lisette Lagnado and Agnaldo Farias, Novo Museu de Curitiba (Museum), PR, Brazil; 1999, Celma Albuquerque Galeria de Arte (Gallery), Belo Horizonte, MG, Brazil.<\/p>\r\n\r\n\r\n\r\n
In 2012, she premiered a large solo exhibition titled “Lesson of Things” (“Li\u00e7\u00e3o de Coisas”), organized by curator Renata Marquez, in Pampulha Art Museum (Belo Horizonte, Minas Gerais, Brazil). That year, she also took part in the 30th Bienal de S\u00e3o Paulo: The Imminence of Poetics, organized by curator Luis P\u00e9rez-Oramas and partner curator Andr\u00e9 Severo. In 2013, she was invited to join the “Selection of Artworks of the 30th Bienal de S\u00e3o Paulo: The Imminence of Poetics,\u201d as well, in Centro Cultural Chacao, Caracas, Venezuela.<\/p>\r\n\r\n\r\n\r\n
Most recently, she was one of the nominated artists of the 7th edition of the CNI SESI SENAI Marcantonio Vila\u00e7a Visual Arts Prize.<\/p>\r\n","protected":false},"excerpt":{"rendered":"
Nydia Negromonte (Lima, Peru, 1965, naturalized Brazilian) is a plastic artist. She has an undergraduate degree in Drawing from the School of Fine Arts of Federal University of Minas Gerais (UFMG), earned in 1989, and specialized in Printmaking in 1998 (“The graphic artworks nowadays: from printmaking to digital printing” \u2013 Faculty of Fine Arts, University […]<\/p>\n","protected":false},"author":1,"featured_media":310,"parent":0,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-133","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/nydianegromonte.com\/en\/wp-json\/wp\/v2\/pages\/133","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nydianegromonte.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/nydianegromonte.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/nydianegromonte.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nydianegromonte.com\/en\/wp-json\/wp\/v2\/comments?post=133"}],"version-history":[{"count":6,"href":"https:\/\/nydianegromonte.com\/en\/wp-json\/wp\/v2\/pages\/133\/revisions"}],"predecessor-version":[{"id":1586,"href":"https:\/\/nydianegromonte.com\/en\/wp-json\/wp\/v2\/pages\/133\/revisions\/1586"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nydianegromonte.com\/en\/wp-json\/wp\/v2\/media\/310"}],"wp:attachment":[{"href":"https:\/\/nydianegromonte.com\/en\/wp-json\/wp\/v2\/media?parent=133"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}